He champions minimal spaces between words and condemns much kerning, the result of which, if his own typesetting of Book Typography is to be taken as a demonstration, is many a capital T or quotation mark that appears attached to the wrong word entirely. “The school of close spacing” – The fieriness of this manifesto is enough to make it the most interesting work in the collection, and though I found Mr Rafaeli’s views on letter‐ and word‐spacing unconvincing, he certainly draws attention to real pitfalls that typographers would do well to avoid. ![]() There is no obvious reason other than their shared author for these essays to live together, and the publication‐worthiness of each is widely varying, so it makes sense only to address each chapter on its own merits. “The school of close spacing” – The fieriness of this manifesto is enough to make it the most interes Book Typography is fundamentally fragmented, consisting of seven (or six?) disconnected essays organized into five chapters with no common paratext beyond acknowledgements and index. The famous Monotype and Linotype book faces are surveyed in their historical contexts with remarks on the qualities of the current digital versions of them.moreīook Typography is fundamentally fragmented, consisting of seven (or six?) disconnected essays organized into five chapters with no common paratext beyond acknowledgements and index. Word-division, letter-space, punctuation, different styles of footnotes and endnotes, use of symbols and special characters, the niceties of dashes, treatment of quoted passages, folios and running heads, are studied with reference to renowned authorities, including the Cambridge and Oxford styles. Word-division, letter-space, punctu This book examines the essential factors of a well designed book - attractive and suitable type, close spacing of words, reader-friendly format - and considers how maximum-quality typography (of books or of any text intended for continuous reading), consonant with traditional standards, can be achieved by users of present-day technology. This book examines the essential factors of a well designed book - attractive and suitable type, close spacing of words, reader-friendly format - and considers how maximum-quality typography (of books or of any text intended for continuous reading), consonant with traditional standards, can be achieved by users of present-day technology.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |